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Title:The Masterpiece (Les Rougon-Macquart #14)
Author:Émile Zola
Book Format:Paperback
Book Edition:Oxford World's Classics
Pages:Pages: 464 pages
Published:July 22nd 1999 by Oxford University Press (first published 1886)
Categories:Classics. Fiction. Cultural. France. European Literature. French Literature. Art. Literature. 19th Century
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The Masterpiece (Les Rougon-Macquart #14) Paperback | Pages: 464 pages
Rating: 3.96 | 3064 Users | 207 Reviews

Relation To Books The Masterpiece (Les Rougon-Macquart #14)

The Masterpiece is the tragic story of Claude Lantier, an ambitious and talented young artist who has come from the provinces to conquer Paris but is conquered instead by the flaws of his own genius. Set in the 1860s and 1870s, it is the most autobiographical of the twenty novels in Zola's Rougon-Macquart series. It provides a unique insight into Zola's career as a writer and his relationship with Cezanne, a friend since their schooldays in Aix-en-Provence. It also presents a well-documented account of the turbulent Bohemian world in which the Impressionists came to prominence despite the conservatism of the Academy and the ridicule of the general public.

Specify Books Concering The Masterpiece (Les Rougon-Macquart #14)

Original Title: L'Œuvre
ISBN: 0192839632 (ISBN13: 9780192839633)
Edition Language: English
Series: Les Rougon-Macquart #14, Les Rougon-Macquart #14
Characters: Claude Lantier, Pierre Sandoz, Louis Dubuche, Christine Hallegrain


Rating About Books The Masterpiece (Les Rougon-Macquart #14)
Ratings: 3.96 From 3064 Users | 207 Reviews

Evaluation About Books The Masterpiece (Les Rougon-Macquart #14)


You have this friend, a writer. Hes written this terrible bildungsroman about his tedious student exploits, I Want Vagina. You tell him tactfully that a 900-page, unspellchecked homage to sexual frustration doesnt fly in the marketplace. Your friend scurries off and signs up for a Creative Writing MA at Dorset Polytechnic, taught by Vernon D. Burns. He returns, a few months later, with a new 900-page spellchecked homage to sexual frustration, I Want to Squeeze Bosoms. You arrange for him to lose

One of the weaker R-M novels, but that doesn't carry the resonance it might have for another author since it's still quite superb. This is Zola's account of the rise of Impressionism and the stirrings of the ideas of the "modern" and the "new" in art during the Second Empire. He used his friendship with Cezanne and the lives of Manet, Monet and a few others to populate this book, which apparently pissed them all off! The poor schmuck of the titular obsession is Claude Lantier (Nana's

First of all, I understand that Zola - and this novel in particular -- do not appeal to all readers. However, The Masterpiece is a fantastic tour of the French art world in the latter half of the nineteenth century. Zola's main character is a synthesis of Cezanne/Manet/Monet -- a trained eye will recognize that Lantier's opening painting closely resembles the aesthetic of Manet's Le Dejeuner sur l'Herbe, that his city "sketches" recall Monet's urban series work, and that Lantier's eventual

This book is a masterpiece, so to speak. It centers around the "open air" (i.e., impressionist) Claude Lantier and his struggles to create a masterpiece. The counterpoint is his depressing and tragic relationship with Christine, who ends up a near-martyr to his art. Claude is surrounded by a La Boheme-like group of artists, writers, journalists, and others--including a character based on Zola who is writing a cycle of novels like the Rougon-Macquart cycle.Zola sets out to write a naturalistic,

This is my ninth Rougon-Macquart novel. All of Zola's novels are pretty dark, but this one was heartbreaking and depressing, more affecting perhaps because the characters felt very real and sympathetic. I'd put this just below "Germinal," and on par with "The Drinking Den." I'd put it just above "The Earth" and "The Human Beast," with the rest I've read below that. ("The Kill," "The Fortunes of the Rougons," "His Excellency Eugene Rougon" and "Nana.")In brief, the novel follows idealistic artist

"The Masterpiece" is itself a masterpiece from Emile Zola about the utter anguish of an artist over the gap between life and art. Claude is a French artist living in Paris when naturalism was just beginning to give way to Impressionism. By a naturalist we mean "one who studies nature" itself in the same way in which Seamus Heaney wrote in "The Death of a Naturalist" and the depiction of nature in a strictly natural way: that is, the quest of the artist was to show life within nature through a

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